Our First Music Video – Choreographing and Performing

30th June, 2010

Behind the scenes

This was my first attempt in choreographing and performing in a music video so for me it was a very interesting experience. What made matters so much harder was that as Alex was out of the country at the time, I had to put the choreography together on my own.

As we were solely dancing to the none lyrical parts, I had one minute of choreography to prepare, with only three two-hour sessions to teach it to our dancers and prepare them for the shoot.

James & Alex / Mambo Clasico Music Video Shoot

To give you an idea on how we normally put a piece of choreography together, I will start by explaining our usual method. We initially start by spending weeks listening to the music, over and over again, before we even start working on it. During that process, we are trying to listen to everything contained within that track, the phrasing, instrumentation, the subtle accents, hits and breaks. This also aids us to visualize the show before putting movement to the music. Often, we need to edit the music, so during this process, we will cut sections out and by the time we are ready to choreograph, we have a cut we like and already have ideas on the form that the piece will take.

Then comes the hard part; we begin by looping a section of the song, around 10 seconds or so, and playing it repeatedly, trying to fit movement in sync with the music. We dance that part over and over again; until we are 100% sure that it represents the music accurately. We then move on to the next 10 seconds or so and keep repeating until we reach the end of the song. Even though this sounds easy, there are often several parts, especially the breaks, that we can spend a lot of time perfecting, making sure it depicts the music exactly how we visualized it.

Video technology plays an important part at this stage, enabling us to see the results as we go along, often reviewing footage a day or so later, so we can get a fresh take on things. As we gain more experience, we are finding that we have to change less and less, but in the early days, we would see the footage, decide we hated it and would have to completely rework those sections.

Preperation

As I had been given the music Friday, one week before we were going to shoot, I had to compress the weeks of listening into 24 hours, and as the music wasn’t salsa, I had to find a way of making our style fit. Saturday was the team’s first practice and beforehand I needed to prepare as much of the choreography as I could, so as not to waste time. I picked out a footwork section in the first half, which I could prepare on my own, while the partnerwork was far more challenging, having to mentality piece it together in my head, which was totally new to me.

Fifteen minutes with one of the girls, before Saturdays practice, and a few adjustments later, I had the first half of the piece finished, then set about teaching it to the team. One of the advantages of having worked with the dancers for a couple of years is that they are starting to pick up our choreography in a short space of time.

Sunday went pretty much like Saturday, although I did meet with one of the girls to finish the choreography that afternoon, as the last thing I needed was to waste practice time that evening. So after two practices, I had managed to finish the choreography and teach it to the dancers.

In the past, we have always spent weeks if not months perfecting our choreographies so this is where the challenge started; and with most of the dancers working throughout the week, we only had an hour on Wednesday evening with half of them and two hours on Friday, the day of the shoot.

The Day of the Shoot

This was going to be a long day, especially knowing that some of the team members didn’t know the choreography well enough, so an early start was in order to bring the weakest members up to speed before meeting the rest of the team for the last rehearsal. This being our first music video, we didn’t really know what to expect, so the immediate priority was to get the choreography as clean as possible in the small amount of time we had.

With all the final touches completed and armed with enough Red Bull to keep us energized, we arrived at the studio ready to film. Our first challenge was to go through the arduous task of waiting for the girls to finish their hair and makeup, before finally being ready to start.

Our parts were in sections, so we could record each segment separately, which put less pressure on us having to remember the entire choreography in one go. The filming required us to repeat each section over and over again, while they captured us from wide and close up positions. It was exhausting and incredibly hard to maintain the energy, especially as we needed to look happy throughout to fit the theme.

All in all it was a lot of fun and even though there was immense amount of pressure during the week to get this prepared in such a short period of time, it turned out really well on the day, and all of us had a lot of fun filming it. It is incredible to think how much work goes into producing a clip which ultimately ends up being less than three minutes long. Now comes the worst part, waiting to see the finished product!!!!

Written by James Castro

Does anyone actually read our website?

30th April, 2010

After receiving an email the other day through our website, asking for a telephone number to call us on, it brought back how many emails we receive asking for some really basic (and I am being kind here) information that is written throughout our website.

This is not intended to offend anyone, it is simply a light-hearted look at some of the emails and phone calls we receive on a daily basis, asking about information readily available on our website. I guess I should be worried that some of the people who have sent these emails might come across this, but then again, if they didn’t find all the information in the first place, chances are, they won’t find this blog! ;)

Firstly, I know if an email was sent through our website, as it states so in the subject line; so it stands to reason that whoever sent the email, would have already browsed through it… or so one would have thought!

Going back to this email I received, it sounds innocent enough, but when you think that our contact numbers are written right above the form that this email was sent through, and at the bottom of every page, it makes you wonder!

So here is a list of my ten favourite questions that were sent through the website form, or asked over the phone, when I know they have looked through the website (in no particular order):

1. Do you teach Hip Hop? I think if we did, we would advertise that fact! I have also been asked for Tango and other dance forms, but this one was the most diverse.

2. I have looked though your website but the group class times don’t suit me, do you do group classes at other times? Again, I think if we did, it would say so on  the website.

3. Do you teach in Sharjah? Well, does it say so on the website?

4. Can you give me details on the classes? (with no other information on the email). I know I probably shouldn’t do this but after about a thousand of these emails, I now just reply with the link to where the information is situated on the site.

5. Do you teach Real Salsa? I am not even going to try and answer this one.

6. My girlfriend is coming to Dubai next week, can you teach me to dance salsa by then? Worse part is, after speaking to him further, he only wanted a couple of classes! And no, this is not possible… before anybody else asks!

7. I have not managed to find any information about salsa classes on your website! It helps if you click on the tab which reads “Classes”.

8. Are your group classes offered with other people or as one on one? … The answer is in your question  (the scary thing is, we’ve been asked this more than once).

9. How long is each class? 8pm – 9pm… I guess it is a tough subtraction to make.

10. And the cherry on top of the cake: I visited your website and got no information! We were very surprised we even received this email… Well, at least they found our email address!

All of these emails we received since we last updated our website, and we have not changed any of the content as a result of these (although if we get many more, we may have to reconsider).

I hope this blog post doesn’t stop us receiving future emails through our website, as we might need new material for part 2! :p

Written by James Castro

Performing at a salsa festival for the first time

23rd February, 2010

I am writing this after returning from India where I was teaching and performing at the recent Bachata Festival that was held in Mumbai a couple of weeks ago. I couldn’t help but thinking back to around 3 years ago when not only was I going to India for the first time, but I was going to perform in my first international salsa festival.

Looking back at the first few performances I gave, they went well, no major mistakes and I re-watch them fondly. Then I went through this period, where I performed shows that were put together in a very short space of time, sometimes over a few days. I hadn’t spent the time perfecting them so the performances always ended badly, some of them so bad I can’t even bring myself to watch them on video, even today.

The show we performed in 2007 at the Indian Salsa Festival was one of these terrible shows to begin with; we put the choreography together in 5 days and only spent 2 days practicing it, so it should have come as no surprise that our first performance of it was terrible. By the time we arrived in India, we had spent a lot of time perfecting and practicing the choreography but that wasn’t enough to take the negativity from the back of my mind.

Until this day I don’t know how I got through that first international performance. I don’t think I have ever been as nervous on stage as I was that night, but we performed it well, got a good response and it has certainly become one of my biggest learning experiences.

It took me a long time to get rid of the negativity from all those previous bad performances. I have had to work hard to do it, by ensuring we always have adequate time to put a show together and perfect it till the choreography flows naturally.  This has given me so much more confidence, even debuting a new show internationally doesn’t scare me anymore. I can finally say I actually enjoy being on stage!

Written by James Castro

It’s all about the music

22nd December, 2009

The music has to be Mambo, New York Latin Jazz, and that to me is what salsa is all about! There is no other music that can move me emotionally like these do. If one day I couldn’t dance to this music anymore, I would give up dancing salsa in a heartbeat.

This article is not going to go in depth with the music, because I am not a musician, I don’t understand all the nuances in the music, how and why the music is put together, and quite frankly, I don’t care; in my opinion it is not important (although some of you will disagree). This article is how I relate to the music as a dancer and to do that I am going to talk about my journey through salsa.
… Read the rest of this article »

Written by James Castro